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Maybe it’s their own deep personal connection which gives their debut pieces as Lesser Miracle (the name comes from a Dungeons and Dragons spell) a mesmerizing undercurrent of emotion, not to mention an original beauty that, like all the best relationships, defies simple categorization. When thinking about Patti and Langley’s work the best I could come up with was “Mystical Deco.” That, in essence, is a shorthand way of saying an Arts & Crafts ethos projected into early 20th century architecture redolent of America’s Art Deco gems, which is then whizzed up with ecclesiastical furniture and a rather mysterious fantastical bent. Much of the impact of Lesser Miracle’s work comes from the face-off between organic rounded forms and Brutalist monumentality.
Since I am always a sucker for a love story, let’s start with how Vince Patti and Mischa Langley, the duo behind Lesser Miracle, first met each other. “It was a few years ago, at a podcast taping that took place at a notorious sex party in Brooklyn,” says Patti, laughing. “We were two of the ten people who were not there for that, but to see our friends and acquaintances.” The podcast was NYMPHOWARS, hosted by Macy Rodman and Theda Hammel. Langley, who’d been in New York precisely three days by this point, recalls that they and Patti didn’t catch up again till about two years later. By then, Patti was still pursuing his art practice as a sculptor, though feeling a little disenchanted with it, while Langley was enrolled in a Mechanical Engineering degree at NYU. They were both making furniture in their spare time, putting it on Instagram, and then commenting on each other’s work. Finally they caught up again, and figured they might collaborate. And yet, to be clear: “Vince was constantly asking me out during that time,” Langley recalls. “I kept saying: ‘We can work together, that’s fine, but no.’ I think I just wanted him to respect my wishes and stop asking. Then as soon as he stopped, I was like, ‘OK, we can go on a date. Want to go out on a date? We’d been sitting in a studio making furniture for two months by then, slowly falling in love. It was very dear.”
Mahdavi envisioned the aesthetic on items you use on a leisurely morning: a throw, for when you roll out of bed. Then a lavender mug for your coffee, and a cheerful coral pitcher on your breakfast table that could be used for orange juice or as a vase for flowers. Everything, she hopes, will visually spark happiness. The price range starts at just under 18 dollars and ranges to just under 500. The Iranian designer lived with every piece in her collection. That was important to her: “I have to live with them to see how they work,” she says. The blue-and-white checkered rug graced the floor of her house in Cannes. In the summer, she’d cut up tomatoes and put them on her plates, admiring the juxtaposition of the bright red on the gradient surface.
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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