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Born in the small village of Llanelli in South Wales, Evans developed a love of photography and clothing from his father at an early age. (He fondly recalls his mother’s horror when his first couture purchase – a pair of Jean-Paul Gaultier jeans – was only for his father to comment on the importance of high-quality fabrics.) He moved to London in the mid-1970s to study sculpture at the Saint Martin School of Art (later to become Central Saint Martins) and film and video at the Royal College of Art under the direction of the themed filmmaker. Meaning Texture Peter Gidal. During this time, he befriended other punk and queer artists in London; among them are Leigh Bowery, Derek Jarman, Michael Clark, Tilda Swinton and Genesis P. Orridge, all of whom will make significant contributions to the punk art aesthetic.
In the following years, Evans assisted Jarman in the films The Angelic Conversation (1985) and The Last of England (1987) and contributed to music videos for post-punk groups such as The Fall, Psychic TV , The Pet Shop Boys and The Smiths. His own short films “Still Life with Phrenology Head” (1979), “Epiphany” (1984) and “Degrees of Blindness” (1988) (starring young Tilda Swinton) were purely conceptual. more conceptual and obscure, combining structural and phenomenological themes with the ravishing eroticism of Aleister Crowley and Kenneth Anger. In this way, the young filmmaker was able to navigate between avant-garde and often dogmatic artistic institutions such as the London Filmmakers’ Cooperative and the following underground pop and queer subcultures. That just popped up all over England.
In the near future, Beyoncé will win nine Renaissance awards at the Grammys this Sunday—including album of the year, song of the year and record of the year. The night could see her become the most awarded artist in the history of the ceremony. Who could be more deserving? Filmmaker, sculptor and light artist Cerith Wyn Evans belongs to the genealogy of 20th-century artists-writers such as Raymond Roussel, Edward James, John Cage and Marcel Duchamp, who were intent on reinventing the language. language and perception of the physical world while transforming oneself through elaborate displays of self-creation. While he’s not much of a nostalgic (in fact, Evans claims to have a strong affinity for Futurism), the artist’s appreciation for fashion, conversation, and the occasional, improvisationally, liberally evoking the disappearing élan of a prince of the Edwardian era.
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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